You and I

This past year has been......... a trip and a half. On a personal and global level. I've come to appreciate music that I can turn up and block the world out. One of my favourite bands for this has been PVRIS.

Photo by Brandon Taelor Aviram [source]

PVRIS is comprised of Lynn Gunn, Alex Babinski, and Brian MacDonald, and their band's name is pronounced 'Paris'. Even though I know that, I still find my brain reading it as 'Purvis' of all things. I... am not in the mood to discuss genre or dissect sound. All I know is, when I need life blocked out, their music has what it takes to do so.

This summer they released a new album, All We Know of Heaven, All We Need of Hell, which I love. But today, I want to talk about their first album: White Noise. While All We Know of Heaven... took a while to grow on me, White Noise was an instant obsession. It came out in 2014 originally, but it was re-released as a deluxe album in 2016. I was pretty late to the PVRIS party, so it's the deluxe version that I own. I'm actually rather shocked, because while writing this post, I realized the two songs that I was originally obsessed with from the album ('Empty' and 'You and I') were not on the original release, and were added to the deluxe version as the first two tracks. I can't believe I didn't know this for a full year. I've definitely read things that should've made me realize this, but apparently I blipped right past them. (Also yes I know my pet peeve is different versions of albums, but what can you do?)

I particularly wanted to write about this album before this month ended, because I listened to White Noise a lot last November. It ties in strongly with important events from that month: my trip to NYC, NaNoWriMo, and even the election. (The last one is because I hadn't bought the album yet, but I was so depressed the day after the election that I bought it. Retail therapy, I guess? More like retail survival.)

Wow, on that note I'm at a loss at where to go. I'll let the music speak for itself, I guess? I'm posting the aforementioned song, 'You and I'.



A theme of this blog has been listening to music that no one in my life knows and can comment on, but regrettably my little brother knew of this band before I... and speaks disparagingly of them. Alright, lil bro. That will not stop me from cranking them up when I am [insert negative emotion here]. (Not to say that I don't ever listen to PVRIS when I'm happy, because I do that, as well.)

It's always nice to return here. I make no promises, but I do have a lot of music I want to burble about...

Live As You Dream

One of my favourite ways to find new music is via television shows. There have been a number of artists I've discovered because the soundtrack to something I was watching caught my attention and made me start googling lyrics to figure out what the delightful sound I was hearing was.

While this can be a good way to find new indie artists (especially on current television), I've also found it works connecting me to older artists of whom I had heard but never listened to. (And by older I do not mean "old" but musicians who have been doing their thing for a couple decades.)

Last year, I was watching the (slightly obscure) 90s British drama Playing the Field and I became very interested in one of the couples. I wonder why....

[gif made by me because I'm the only one who caaaares]

As I was rewatching their scenes (probably for the third time or so...), I realized that the same song was playing in a couple of their scenes. (It wasn't even playing in the forefront of the scene, just like on the character's stereo in the background. I felt like a detective. A very gay detective.)

 I googled the lyrics and discovered it was the song 'Live As You Dream' by Beth Orton.

[photo source]

 I'd heard of Beth Orton, but never listened to her music. But on a whim (and because it was cheap), I bought her 1996 album Trailer Park which the song 'Live As You Dream' appears on.

Trailer Park was Beth Orton's first album, and honestly I had no idea what to expect. I hadn't even known she'd been recording since the 90s. But I quickly grew extremely found of the album. I listened to it a lot while driving, and had to make sure I kept it in my car for the roadtrips I took last year. Though even after listening to the album many times, I still didn't really know how to categorize her style of music. Well, until I Wikipedia-ed her just now, where her genre is referred to as "folktronica". That makes a lot of sense, as the songs on Trailer Park vary from straightforward folk-rock to hazy ten-minute trips.

The song I'm posting today is, of course, the one that started all this: 'Live As You Dream'. It continues to be my favourite song on the album. Honestly, it's hard for me not to smile when it comes on. (I think because it's a happy song, but also it might have something to do with the association of my TV ship. Haha.)





Can you believe I actually posted again before another year went by? I'm not sure I can. Let's see if I can do it again......

Don't Be So Hard On Yourself

This morning I felt an inspiration to write this blog post, so I'm running with it before motivation dissipates.

I've been meaning to write a blog post here for... over a year. Specifically about the song I'm posting today, which has been at the top of my Top 25 Most Played for, well, over a year.

I might be doing a series of posts, talking about my year and the music I've been listening to. Or I might cop out and let this post suffice. Who can say!

Anyway.

The song I am posting today is 'Don't Be So Hard on Yourself' by Jess Glynne.

Photo credit: Simon Emmett

This song is from her debut album I Laugh When I Cry. It was also released as a single, and reached the top of the UK charts. (Which is also true for several other songs on this album!) I'm not sure how this album came onto my radar, but I bought it in 2015 a couple month after it was released. I clearly can remember downloading it as a treat while I was working, which involved staying at someone's house and looking after everything because they were sick. The album was a much-needed treat, indeed, and from then on, I've listened to this album a LOT.

[Side note: the great thing about researching an album while writing blog posts is that I've found out I have the North American version of the album, and the UK version has several more tracks! I'm going to track (heh) them down as soon as I finish writing this post. (Also: it's 2017. Why is having different albums in different countries still a thing?? This has been a pet peeve of mine for years.)]

I Laugh When I Cry is a pretty equal mix of love songs and break-up songs. Jess Glynne went through a significant break-up with her girlfriend, which was the inspiration for several songs on the album.

(Ohhh, that's how I must've heard about this album: The Queer Grapevine.)

Little Miss Hipster Me's music taste has swerved slightly in the past couple years. This album is a pop delight with some dance, as well. I'm not even sure I would've liked it five years ago. But it's perfect for where I'm at these days. Especially 'Don't Be So Hard on Yourself'. As someone who tends to be very hard on herself (thanks to severe social anxiety!), listening to this song has soothed me on multiple occasions. Also it's just fun. What more could you ask for in a song?

Also the site I used to host files on no longer works properly, so you can no longer conveniently listen to most of what I've posted in the past. Quite annoying. Part of me wants to go back and re-upload everything, but I might have to stifle that urge. (But I probably won't.) I'll just be using youtube embeds for the time being.




Alright, that's all for now. I'll be back soon! (Maybe!)

A possible return.

Today I finished a longterm project and have taken care of a few other things that I've been meaning to do... and I figured while I was on a roll, I'd do something I've been meaning to do for months: post here.


Since I last posted a year ago, I've almost solely been listening to musical cast recordings. I am not even close to kidding. However, there have been a few new releases by several artists I love that I made room for in the midst of my musical theatre binge. I'm going to write about two of them... because after a year's absence how could I just talk about one song? So I shall be posting about two EPs: one by Hannah Peel and one by Laura Groves.

In my head, it makes perfect sense to put these two lovely ladies in the same post, as it was through Laura Groves's music that I heard about Hannah Peel.

Photo credit: Hiro Hirata

Hannah Peel's new EP Fabricstate, which was released in February, was brought to my attention by Hannah herself (Thank you!!). I posted about her album The Broken Wave a couple years ago, so I was delighted to hear more music from her. Though her style of music has evolved, Fabricstate is enchanting. Hannah's voice and music are as soothing and sweet as ever. I'm posting the first track on the EP, 'Silk Road'. When I first listened to this song it evoked a strong feeling in me that it would be a perfect song to put on a mix CD for a road trip taken in the very early morning. (I could practically feel the light chill in the air and see the empty, dimly-lit streets.)




And now for the second section, Laura Groves! (Still working on the art of segues...)

Photo credit: Owen Tetley

 

Laura Groves used to record under the name Blue Roses. Her eponymous album released under that name has been one of my favourites for years. I feared she had stopped recording, but a few months ago I discovered she had released an EP called Thinking About Thinking in September last year. I quickly went to listen to it and was happy to find that it lived up to her precedence of dreamy, haunting music. I'm posting the last track on the EP, which is also the title song. I also very strongly see this as being a perfect road trip song for the early morning. (How many road trips have I taken in the early morning? Very few. But I'm seemingly obsessed with the idea...)


(Tried to embed this via bandcamp, but blogger was not having it. Ah well.)

I do hope it won't be a year before I get around to posting again. I'm going to avoid making any promises, though.

The Changer and the Changed

I am genuinely perturbed at how fast July flew by. So much, in fact, I don't even want to talk about it.

I have a happier subject to dwell on anyway: my new favourite album.

The other night when I was meant to be sleeping, I found myself googling lesbian singer-songwriters, because that's where my interests lie these days.

And on some blessed compilation list on some blessed website, I ran across a recommendation for an album by Cris Williamson called The Changer and the Changed. Embedded was her song 'Waterfall'... and before the song had even finished, I knew I wanted this album. Less than 20 minutes later, I had ordered a copy. I didn't even listen to any other songs off it. I just somehow knew I would love it.

(I only doubted this when I received it and feared it was going to turn out to be a country album. But only the second track was country, to my relief.)

Cris Williamson, where have you been my whole life?

(photo credit)

I've yet to explore her other music (she's been recording since the 60s) and I look forward to doing so, but for now I just want to bask in the perfection that is The Changer and the Changed.

This album was released in 1975 without the help of any men. Seriously. It was released on the independent label Olivia Records (which was completely women-based) and in the liner notes it says, "This album was made with the help of these women" and proceeds to list a plethora of females. As a feminist, I think that's pretty awesome.
There is something timeless about The Changer and the Changed. Something indelibly golden. The ten songs that make up this album made a home within me the first time I heard them. I've had this album for only a month, but it has touched me so much already. I hope it continues to mean a lot to me over the years. (And reading what other people have to say about it, I suspect it will!)
I don't know how to classify this album. Just give it a try and if you like it--wonderful! Below I'm posting the song that started it all for me 'Waterfall':

Wizard Flurry Home

The first draft of this post was scribbled at 3 AM when I couldn't fall asleep. (Long story. Or boring story, really.) I soon discovered, to my chagrin, that while my eyes wouldn't close, my brain was not functioning with its usual (ha!) keenness.

Good news is, I've been sleeping better! And hopefully this post won't read as inanely as the words on this paper next to me. (I can barely read my handwriting, to be honest.)

Okay, convoluted opening over, let's get to the reason I'm here: to talk about Mariee Sioux.

Or more specifically, her album Faces in the Rocks. It came out in 2007, and I used to listen to it around 2008, I think. But that was the time when I was discovering a lot of new and wonderful music... and I lost touch with Mariee Sioux's music.

I went to look up Faces in the Rocks a year or two ago and discovered, annoyingly enough, it was unavailable. There was a reason for this. A reason I knew. But right now I can find no information on what happened. It's eerily like it never happened. (This is quite perturbing.) But something happened with the label, I think, and she no longer owned the rights to the songs? I have no idea anymore. All I know is, I was not able to buy this album until this past year.

Though predominately labeled simply a folk album, the Native American influence of  Faces in the Rocks is so apparent, it seems to be putting it lightly to say it was merely influenced by that culture. This album is imbued with it. The most enchanting part of this is the Native American flute that haunts the album. (I don't know if there's a more specific name for it. I'm just going off of what wikipedia is telling me.) Which is why I'm posting the opening song of the album 'Wizard Flurry Home'. I think it features the flute the most. Also it's the song I remember with the most clarity from when I listened to this album so many years ago.



(C'est tout pour maintenant. I hope to be less absent on this blog from here on out. I've missed it!)

Till Tomorrow

I scribbled part of this post on a piece of paper somewhere, but now I can't locate it. I wouldn't be too bothered about this except I think there was a poem written on the other side. I really need to get my act together.

I've really missed music blogging, so I'm hoping to get back in the habit. I've been wanting to actually write this post for ages, so I'm ignoring the fact I'm tired, overheated, and have a stomach ache. Don't you feel sorry for me now? Well it's okay. Because I'm here to talk about someone awesome: Don McLean.

I think everyone knows either 'American Pie' or 'Vincent (Starry, Starry Night)'.  I myself have known and loved the song 'American Pie' for years. I had no idea what a wonderful store of Don McLean music exists. Sadly besides 'Best Of" type albums and American Pie, buying his music is not as convenient or cheap as one would hope for in this day in age.

I should probably put some of his biographical information in here somewhere... but nah. I'm just going to jump right in with my personal nonentities. Several months ago I downloaded American Pie on a whim and let me just say that is possibly the best decision I've made in the past 6 months.

This album was released in 1971 and was his second album. I don't know what else to say about it, except there is not a track on it I don't love. The album is mainly composed of beautiful, melancholic folk songs, but there's humour ('Everybody Loves Me, Baby'), anti-war ('The Grave'), and a cover of the traditional 'Babylon'. Not to mention the title track and opener 'American Pie' which is still, in my estimation, 8 1/2 minutes of bliss.

So I've picked the second track 'Till Tomorrow' to post, because it was the first song I listened to after I downloaded the album. When it started playing, I knew I'd made a good choice.

(The song might take anywhere from 6 to 30 seconds to load. Heh. Heh. Good things come to those who wait, though!)

Little Wanderer

I am still very much alive, never fear! Not only have I not felt like blogging lately, I keep forgetting to listen to all the new music I've been buying. Ha!

Lately, no music has made me feel like I want to blog about it. Nothing, that is, until I came across the band Lilliput.

It's a funny story how I came across this band. (Okay, maybe it's not that funny...) If you have interacted with me at all in the past 6 months, you'll probably know that I've been voraciously watching the TV series Byker Grove (also affectionately referred to by me as my "children's soap opera"). I merely started watching the show because that's where Ant and Dec's career and friendship began, and before I knew what was happening, I was finishing the the 18th and last series. I love that show, okay. And I'm American so I can't even claim I merely like it for nostalgic reasons. :P

Anyhow, on one of my many walks down the crowded streets of Google, I discovered that Dan[iel] Waterston (who played the character of Mickey in series 15-18 of Byker Grove) was now the drummer in a Sunderland-based band called Lilliput. My hopes were raised when I saw the band's genre described as "alternative folk".

I first watched their video 'Until' and quite liked it, but it was only when I went on to watch their live video for their song 'Little Wanderer' that I knew I had found a new favourite.




Lilliput has yet to release an album or an EP, but you can be sure that I will be waiting eagerly for the day when they do.


(Supplemental link: Head to their official site to join their mailing list and get a free download for their song 'Until'!)

A Lullaby to Wander By

I've been absent. Not just here, but everywhere. In my mind,  even. I still feel absent. But this is a lazy afternoon, so I thought I'd write a blog post. I hope to be posting more in September.

My vinyl collection has a grand total of 5 records in it. The only one of these that could be considered rare is Through the Eyes of Terry Bêr, which is by... you guessed it! Terry Bêr.

This album was released in 1968, and it's actually not very hard to get a vinyl copy of it. It has not, however, been released on CD or in any other digital form, officially, which is a shame.

This album was nothing like I expected. I thought it would be more psychedelic folk, but nothing could be further from the fact. It's core genre is folk, but it has influence from Spain. Or perhaps Mexico. I would even say there is a Mariachi influence on a couple of the songs.  Though initially surprised, I've grown extremely fond of this album.

Of the 12 tracks, half of them were written by Terry. Notably, there are two Leonard Cohen covers and also a Donovan cover. The songs written by her are my favourites, though. (They are 'Wouldn't You Loved to Be Clothed Like a Tree'; 'A Lullaby to Wander By'; 'But If You're Lonely'; 'Come on Over to My House'; 'Streets of My Village'; and 'Gemini Gypsy'.) In  case you haven't guessed from the title, my favourite is 'A Lullaby to Wander By'. This peaceful song sounds like the atmoshpere the title conjures. That's all I have to say, really. :)

Have a listen:

Chocolate

Hullo! Though it's a new month, this is not an artist of the month post. If you read the little sidebar, you'll notice it's on hiatus. You'll also notice I've provided one of my SM:TV Live gifs for your viewing pleasure. I have no idea when I'll return to doing the artist of the month. I've bought a lot of new music lately, but I haven't listened to a lot of it. This is a very strange time in my life - you must excuse me. But I shall be posting!

And now, back to our regularly scheduled program...

It's no secret I'm a fan of 60s music, but my obsession doesn't end there. I just want to take the whole era and put it in my pocket. The good, the bad, and the smelly.

I watch a number of television shows from the 60s, and one of my favourites is The Smothers Brothers Comedy Hour.

Last month I read Dangerously Funny: The Uncensored Story of the Smothers Brothers Comedy Hour, which is a biography about the Smothers Brothers and their show (mentioned above). Their show aired from 1967 to 1969. It began as a typical comedic variety show, but it soon became too revolutionary for its own good. Tom and other writers on the show constantly fought the censors to say what they wanted to say (whether it be a slightly off-colour joke or social commentary). The war raged on until The Smothers Brothers Comedy Hour was cancelled after its third series, even though a fourth series was contracted.

Dick and Tom Smothers are (believe it or not) really brothers and their last name is truly Smothers. When I first started watching the show, I assumed it was all a gimmick. :P

I made the mistake of not finishing this post when I started writing it last month, so most of that nice biographical information I obtained about  Dick and Tom is gone. I do remember they started out as a folk trio in the early 60s (and yes there was a third man at the time), which eventually morphed into them doing folk/comedy as a duo, with Dick being the straight to Tom's funny man.


One of our favourite songs the Smothers Brothers do is a song called 'Chocolate' which opens with the line: "I fell in a vat of a chocolate..." Its punchline is hilarious as well. (You have to listen carefully, though, cause Tom says it very quickly.)

They perform it on the second season of their show, but sadly that clip is not on youtube. But luckily, it was also on their 1962 folk/comedy album The Two Sides of the Smothers Brothers, so you can listen to it, at least!





(Supplemental link: Watch them perform 'My Old Man' on the third season of The Smothers Brothers Comedy Hour. I know it must be the third series since they have moustaches. :P)

Paloma Faith

Pardonnez-moi!  I've been terribly absent from everything. Life got away from me. I'm grabbing it for now to belatedly bring you June's artist of the month, Paloma Faith!

Paloma Faith is an English songstress and songwriter of whom I can't get enough these days. I first heard of Paloma when she was a panelist on a show that I shan't admit I sometimes watch. I was entranced by her zany personality and clothing, and was extremely desirous to know more about her. I think I might've even watched her on another show (NMTB, this time) before actually listening to her music, but it's possible I listened to a couple of her songs in the interim between show-watchings. (I can no longer remember.)


A few weeks ago, she released her new album (Fall To Grace), but you must excuse me for I am still stuck on her first effort from 2009, Do You Want the Truth or Something Beautiful.  I don't know why I used the word "effort" - in my mind that sort of implies it fell short of some undefined mark. It certainly didn't! (Er, doesn't!) Her music is pop/soul that's a little more mainstream than my usual far-off-the-beaten-path choices, but that's not to say her music is akin to the general tripe that shoots so shockingly up the charts. Her songs and whole being are very theatrical, which is hardly surprising considering she is also an actress and has held the various jobs that are theatrical in nature.

My favourite song off Do You Want the Truth or Something Beautiful is 'New York' - a song that is a plea to a lover whose left for 'another lady' with a slight twist from the usual. I can't stop listening to this, as it combines beauty and catchy-ness into an irresistible combination.


Listen:


(Supplemental link: Watch a clip Paloma [and Noel Fielding!] being adorable on Never Mind the Buzzcocks here.)

Polly Scattergood

I had May's artist of the month picked out before April's. True story. The artist in question is Polly Scattergood, and what happened was this: I bought her album at the beginning of April and fell head over heels in love with it. But I knew all along I would wait till May to make her artist of the month. I have to become acclimated, you see, and make sure my favourite song doesn't all the sudden become my least favourite or something.

Polly Scattergood a singer/songwriter from my the grand old UK (born in Essex, but is now living in London, I believe). Her first album, Polly Scattergood, was released in 2009, and she is working on her second at the moment. Her music is hard to explain... I'm not sure what genre to assign to it. Wikipedia says "Indie pop",  "Experimental", and "Alternative rock". Sure, why not? Why do we spend so much time obsessed with genre anyway? (In my mind I'm throwing my hands around like a self-righteous philosophy student. Ha.)

A criticism I've heard of her album is she bleeds her heartache all over it. Heck, that's why I love it. I'm not even going to pull the female card when I say that. I love the emotion she portrays with her voice, her lyrics, her instrumentation.

My favourite song of hers is 'Please Don't Touch', which was my introduction to her music. I ran into the music video on youtube and took immediate interest. Very soon afterward I decided that, yes, I was a big fan.

Listen to 'Please Don't Touch':


 (Supplemental links: another favourite is 'Breathe In Breathe Out' which you can listen to here.)


This post is disjointed. Sorry about that. I got overcome by my hovering depression while in the middle of writing it and had to walk away. I'm back now - more stable, but not very focused. But I've introduced you to the wonder that is Polly Scattergood, and that is all that matters!

No One Can Hear You Cry

I think I can just squeeze in another post before April ends! It's on my to-do list, so I better do it, right? I'm extremely strict about such things.... *snickers*

I've been really digging obscure 60s and 70s music again, so appropriately I'm posting a song from an old favourite: Susan Christie.

Susan Christie is yet another talented woman who is terribly obscure and hard to gather information on. I do know she was with a band called The Highlanders, but it was her solo recording of the novelty song 'I Love Onions' with which she gained some footing in the musical world.

She then made her first and only album: Paint a Lady. The album was released in 1970. Or it would have been, at least, had the record company not done what they did, which was limit the pressings of her album to a very small amount, because they had no faith in the commercial possibilities of her material. (I've heard there were only three vinyls made!)

I am amazed Paint a Lady ever got reissued. Amazed, but grateful, I must say. The album is brief, only eight tracks long. As far as I know, all the material is original except for her cover of 'Ghost Riders in the Sky'. Of course, this album does contain the nine minute 'Yesterday Where's My Mind?' An acid folk number that I must confess I've never made it all the way through. (It has a frightening intro!) Of course, I haven't tried to listen to it in years; I might be able to handle it better now. :P

Her songs are full of loneliness, which is quite apparent on my three favourites from the album: 'Rainy Day', 'Paint a Lady', and 'No One Can Hear You Cry'. Being a teenaged girl, perhaps that is why I love all three of these songs. I'm a sucker for a good song about, well, sad things.

The song 'Paint a Lady' is perhaps more indicative of what she is capable of, but I have a soft spot for the song 'No One Can Hear You Cry' so that is the one I'm posting. (But you'll notice I've included 'Paint a Lady' as a bonus on the playlist, if you want further listening!)

This post was actually surprisingly easy to write! I though it would take much longer. (Using the new Blogger was a pain, though.)

Marj Snyder

As the song goes, "April, come she will"... and before I'm quite ready for her. As usual, I deliberated over what artist to make artist of the month, before deciding the only artist I felt like raving over was Marj Snyder.

Marj Snyder... I confess, I don't know much about her. She was a little-known singer-songwriter who released several albums in the 70s. Though few knew of her, those who did were blessed by her music.

The bio for her at last.fm states simply: "Hippy lady from California who loves that God." Ha! It's hard to tell whether or not it was a fan who penned that gem; but yes, Marj was from California and she loved "that God". (Read: she was/is a Christian.)
I can't state positively how many records she released, but I know for sure of two: her 1971 album, A Time of Peace, and her 1972 album, My Lifetime Now. (I could be wrong, but I'm pretty sure Marj was only 17 when A Time of Peace was released.)

I can't remember exactly how or when I came across the music of Marj Snyder. I think it was last summer, when I somehow stumbled across her song, 'God', which is from the album A Time of Peace. Her gentle style and beautiful, thoughtful lyrics grabbed my attention, and the more I listened to the song, the more I grew to appreciate it.
Sadly, except for the song 'God' and another song called 'I Am the Light', I've not heard any more from A Time of Peace. (Ah, the woes of loving obscure music!)

But semi-recently, I was able to find a download of her 1972 album, My Lifetime Now. While it does contain a regrettable foray into country music ('Knees Knocking') and Southern gospel ('For Those Tears I Died') and the inevitable 'Amazing Grace', My Lifetime Now is a fine album. (For the genre complaints, the songs themselves are alright, I'm just not a fan of those two genres.) My Lifetime Now is certainly a million steps above the cookie cutter "Christian music" of today.

I'm posting two songs today; the first is 'Chicago / Walk By My Window' from My Lifetime Now. (Which technically is two songs, but they segue into each other and they were put on the same track in the version I downloaded.) Unlike the rest of the album, they aren't religious. But they are pieces of her life wrapped in the packaging of lovely folk music, much like the second song, which is the aforementioned 'God' (a song of more religious nature, obviously - but definitely worth a listen, even if you're not interested in the spiritual side of life.)




(Supplemental links: Another favourite from My Lifetime Now is the song 'I'm Dying'. I love the pure anguish of this song, which you can listen to here, if you so desire.
Here is the blog I downloaded the song 'God' from and the blog I downloaded the album 'My Lifetime Now' from. Also, one of Marj Snyder's song is on the compilation Wayfaring Strangers: Ladies from the Canyon, which can be bought on amazon.)

Coming Up

Nikki, a sweet new reader of mine, has given me an award! Thank you so much, dear!


Here are some instructions:
1. Nominate 15 others for the award and inform them with a comment on each of their blogs.
2. Create a post for the Versatile Blogger Award.
3. In the same post, thank the blogger who nominated you in a post with a link back to their blog.
4. In the same post, share 7 completely random pieces of information about yourself.
5. In the same post, include this set of rules.

Seven Random Things About Moi:

1. I drink my daily coffee black. Sometimes I'll have cream or sugar, but not often. I like it black. I'm prouder of this fact than I should be.

2. I have library cards for two different libraries, and I'm thinking about getting a third. (I'm not collecting them, no. It's just that even with two library systems at my fingertips, there are still many books I want to read that aren't in either of their collections.)

3. When I was a young girl, I aspired to be just like Madeline (from the books by Ludwig Bemelmans). Mainly, I wanted to be as brave as her. Not sure how well that worked out, but I do attribute my Francophility to those books.

4. Due to the fact I have no life, I read somewhere over 440 books last year. (441 according to my goodreads, but there were some re-reads that weren't entered.)

5. I would rather clean toilets for money than babysit. (I've done both, yes, and I prefer the toilets.)

6. I hate eating in public. I'll eat in restaurants, but at parties or other gatherings - no way. We affectionately call it my "public eating disorder".

7. I often professed a desire towards a medical career as a child, but somewhere in the transition from childhood to teenage-hood, I became one of the most squeamish people ever. (Not squeamish when it comes to cleaning toilets, evidently. :P But if someone starts describing a surgery or something - ugh!)

[I should tag 15 people in this space, but if you haven't noticed, I usually skip that step and say if any of my readers would like to do this on their blog, they are welcome to do so, please!]


To make up for my lacklustre facts, and to make this a music-related post, I am posting one of my favourite music videos: 'Coming Up' by Paul McCartney! I've been listening to a lot of my darling Paulie lately, and I've been meaning to post this video for a long time - so right now feels as good a time as any!

'Coming Up' is from Paul's 1980 album McCartney II. The quirky music video features Paul dressed up as ten different people (including a portrayal of himself circa 1963), and his wife Linda dressed up as two.

And sorry - this song will most likely get stuck in your head...

The Asteroids Galaxy Tour

Though I've been telling myself for the past week or so that I'm still trying to choose March's artist of the month, I've known all along it couldn't be anyone but The Asteroids Galaxy Tour.



The Asteroids Galaxy Tour were recommended to me by Artamus, a fellow fan of Laura Nyro that I met through, well, this blog! I am forever indebted to him for revolutionizing my music tastes with this band.

The Asteroids Galaxy Tour are a Danish group and the founding members are Lars Iversen and Mette Lindberg. There are quite a number of other bandmates now, but as their website says: "As their name might imply, THE ASTEROIDS GALAXY TOUR are somehow less of a band than they are a many-legged, ever-evolving, constantly moving party machine."
How could I even try to write a mini-bio about such a band?!?

Their new album Out of Frequency came out in January, but so far I've only heard a few songs from it. It's their 2009 album, Fruit, that has been my constant companion ever since I downloaded it in January. Some people (not just my brother this time) complain about Mette Lindberg's unconventional vocals, but I like them. The Asteroids Galaxy Tour is fun and funky, and I love listening to them. Especially when I'm home alone and need something good to "blast".

Picking a song to post from Fruit is really hard... It's one of those albums I like to listen to all the way through every time. According to my itunes playcount, I've listened to the songs 'Around the Bend' and 'Bad Fever' a few more times than all the others.

I think I'm going to go with 'Around the Bend' as its one of the first songs I heard by them. (According to wikipedia it's their most well-known song.)

Listen:


On another note, have you ever wondered about my post-writing process for this blog? What's that you say? No? Well, allow me to share a story anyway that will shed some light on it. I was going to write this post yesterday, so I looked up The Asteroids Galaxy Tour on wikipedia (my starting, but not ending place, for almost every post), and as I was reading the entry, I noticed Mette Lindberg had been on an episode of Never Mind the Buzzcocks. Since I have a thing for British telly, I thought: I'll go watch that! Halfway through the episode, I got distracted and started watching the episode of NMTB with Holly Willoughby, because I think she's lovely. I also watched assorted clips with other favoured celebrities, and by the time I finally went back and finished the episode with Mette, my good intentions were shattered and this post never got written. Well, not until today.

And that is how my writing process works: It doesn't.

It All Got Worse

I feared I wouldn't make it in time (AKA before February ended), but here I am with my last favourite song of 2011 - 'It All Got Worse' by Destry!



According to many sources, Destry is headed by Michelle DaRosa and she collaborates with Shaun Cooper, Sam Means, Nico Childrey, Tyler Odom - all musician who are a part of other bands. Strangely, Destry's official facebook page only mentions Michelle DaRosa and Tyler Odom (who are pictured above). They're usually the only two present when acoustic sets are played on the streets or something so... alright. I'm still slightly befuddled, but that's okay.

So far, Destry has released two albums: their second, Waiting on an Island, was released last May, and their first album, It Goes On, was released in 2009.
For me, It Goes On grabbed my ears instantly. Waiting on an Island, which has a quieter mood, grew on me more slowly. Both albums have a dreamy 60s vibe. Not psychedelic 60s, mind you - earlier than that. Both have a very basking-in-the-sun feeling, but Waiting on an Island has more moments of rain. Nowhere is this more evident than in the my selection today: 'It All Got Worse'.

Admittedly, it was a hard contest between the song 'Alabama' and 'It All Got Worse', but I chose the latter because it has deeper meaning for me. This year I often found myself listening to this song; it offered solidarity, and I loved how Michelle's vocals are so full of the weight of the song's emotion. Perhaps I should have tried to end this "favourite songs thingy" on a happier note, but what can I say? I had a rough year.

Listen:




(Supplements: Listen to their albums on bandcamp!)

Mire Kay

"We were all very thankful to tear off JANUARY from our calenders and to look hopefully at FEBRUARY."

-Miss Read, Changes at Fairacre

That quote sums up January for me. But while I was certainly thankful, I was hardly prepared! February has been speeding by, much to my distress. It doesn't help we've had houseguests since Monday. My concentration levels are frighteningly low....


...But not low enough to not want to (at last) bring you February's artist of the month, Mire Kay!

Mire Kay is the duo of Emelie Molin and Victoria Skoglund. They are two lovely, Swedish girls who were originally members of the band Audrey (which is hibernating for the time being).
I swear, there must be something in the Scandinavian water because the acts coming out of there make ridiculously amazing music. Mire Kay is, of course, no exception.
I'm stealing the description of the group from their site because I like it and it's much better than anything I could come up with at the moment:

"When closing your eyes you will never know where you will end up. Maybe somewhere between the roar of a capital city or beneath a bridge where you can hear the water murmur. You will maybe find a link to your home or to the continent, or you might just find the world of Mire Kay. It is a place where things are simple, where fragile sounds whisper in the spruce tops of trees and memories become as real as you remembered them to be. Adorned by luminous and vivid colors, this place is where you will find the presence of our music. Don’t expect to find answers but instead an urge to start asking."

Their debut EP, Fortress, came out last year, and according to their facebook page, they are busy recording their first album. I'm chuffed to bits, as their EP is what I call Good Music. One thing I have to mention that I love about Mire Kay is that their two core instruments are the cello and guitar. (Emelie on the former, Victoria on the latter.) I do adore the cello, and it's not prevalent in many acts.
Anyhow, the song I'm posting today is 'Sea Monster': their first single and the opening track on Fortress. This is also my penultimate "favourite song of 2011". (Yes, that's still going on.)

Listen to 'Sea Monster':



{Supplements: I have some exciting links! You can download their single 'Sea Monster' for free on their bandcamp! And you can watch their beautifully foliaceous music video for their song 'So You Learned' here, and then download the track for free on their soundcloud. Then you can head back over to bandcamp and listen to the whole EP. Okay. C'est tout.}

The Almond Tree

I'm doing these favourite songs rather slowly this year. This partially has to do with the fact I keep changing the list of songs. Shameful, innit? But not atypical, I have to say. I thought I was finally done vacillating, but last night I remembered a song that I knew I could not leave out: 'The Almond Tree' by Hannah Peel.

Photo credit: Hiro Hirata

I don't know much about Hannah Peel or her music. 'The Almond Tree' is the only song of hers I'm familiar with, and I don't even remember how I happened across it. I do know that this song is off her debut album Broken Waves which came out last January and was recorded in three (!) weeks. And interestingly, for live performances, Hannah Peel often collaborates with one of my favourite artists, Blue Roses!

I am working on amending the fact I don't know much about her or the rest of her music; even as I type this, I am listening to more of her album. But anyway, allow me to go back to the reason why I started this post in the first place: 'The Almond Tree'. This song is beautiful, and a bit of a surprise. Its melody and lyrics sound like they could be straight from a traditional folk ballad, and the opening arrangement is suitable to that thought... but then the song takes a strange and sublime turn into less straightforward territory.
This is one of those songs I instantly liked, and I am sorry I forgot about it for so long! (And I'm sorry it took me this long to listen to more of her music, as I am very much enjoying it!)

Listen:



(Supplements: Download the second song off Broken Waves, 'You Call This Your Home', on Hannah's bandcamp!)

Fallen Angel

Alright, let's forget for a moment that my favourite band is The Beatles.

Let's also forget that my most favourite famous couple ever is Paul and Linda McCartney.

Now that all that's out of the way, may I introduce my second favourite song of 2011: 'Fallen Angel' by James McCartney.



That's right: The youngest child and only son of Paul and Linda. But remember, we're forgetting how much I adore those two right now.

He's been a musician for a while, playing guitar on various projects of his father's and on his mother's one album; but it wasn't until 2010 he released his first EP, Available Light. I listened to his music an infinitesimal bit, but it wasn't until his second EP, Close At Hand, came out in 2011 that I sat up and took notice. Something about the more personal nature of the music on Close At Hand struck a chord with me. (Pardon - wasn't trying to make a pun. :P) This was actually his intention, according to this quote from his site: "I wanted to follow Available Light with something that showed a progression...that had an even deeper meaning, both spiritually and musically." He has certainly succeeded! My favourite song off Close At Hand is, without doubt, the beautiful track 'Fallen Angel' which offers an interesting contrast to the upbeat song 'Angel': the opening track on Available Light. Interestingly enough, James's two EPs are only available in digital form, but at the moment he is working on bringing them out in tangible form in a two-disc collection that will include new music!

Listen to 'Fallen Angel':